harbingers of spring
blue, the bayou is behind us
structural dichotomy
reflectors
nothing but blue skies
a present unknown
drawing
structures
structure 17
structures 11-16
structure 10
early structures
installation
the physical features of place
sans delineation
what's supporting what
potentially invasive, probably harmful
eventually, everything will collapse
desolation
maggots
untitled 2020
give new life
a number of things, growing together
a group of small situations
colonize
eat the bad; leave the good
rusted views
invasion
about
contact
purchase artwork
art in res
by proxy
curina
design
shiva aliabadi: abshar: cascade
craig randich: derivative
janet diaz: field riders
jonathan marquis: earth eaters
adriene jenik: ecotarot
other catalogues
2014-2016
resilient
victory undecided
leaf cuts
cradle
good as new
2013
out of commission
crumbling foundation
left for the city
abandoned building on main
i tried to re-upholster this chair
Menu
molly koehn
harbingers of spring
blue, the bayou is behind us
structural dichotomy
reflectors
nothing but blue skies
a present unknown
drawing
structures
structure 17
structures 11-16
structure 10
early structures
installation
the physical features of place
sans delineation
what's supporting what
potentially invasive, probably harmful
eventually, everything will collapse
desolation
maggots
untitled 2020
give new life
a number of things, growing together
a group of small situations
colonize
eat the bad; leave the good
rusted views
invasion
about
contact
purchase artwork
art in res
by proxy
curina
design
shiva aliabadi: abshar: cascade
craig randich: derivative
janet diaz: field riders
jonathan marquis: earth eaters
adriene jenik: ecotarot
other catalogues
2014-2016
resilient
victory undecided
leaf cuts
cradle
good as new
2013
out of commission
crumbling foundation
left for the city
abandoned building on main
i tried to re-upholster this chair
a number of things, growing together
embroidery on eco-printed raw silk, 2016
a number of things, growing together
embroidery on eco-printed raw silk, 2016
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